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Romanticism

by The Ludvico Treatment

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    The download includes print-size artwork & liner notes along with five bonus songs from our shelved 2005 EP "Symposium".

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1.
16:22 05:00
Silent vigils for your loved ones Plagiarizing bold epitaphs Veiling condescension Saving face for Sunday mass Play-acting Revelations Clutching books never read Sanctify belligerence and Bless your hatred Context is subjective Unmarked headstones - justifiable wrath Leviticus cries furious words Familiar stones Play-acting Revelations Clutching books never read Vanity sees you fated Crucifix in hand
2.
Affectations 04:28
Our crumbling statues With tattered flags and emblems Are better off out there Out in the silent And masticated landscapes Along our croix de guerre Our distant trenches Disguise the lack of sadness Pity falsified The death of closeness Kills its twin compassion Empathy beside Are you dead to us now? How we’ve let you down Lifeless pastures and Reprobate intention Of infinite refrain Proud demonstrations will Never cull redemption Sanguine thoughts remain
3.
The pact, it was ended, The jukebox left burning in the wreckage And regret laughed at our humanist pretense. "These lanterns you search for Will lead to torturous bliss" And hopelessness is a wholly wretched defence. Hold me, put your cold arms on my chin, And here we lie with our fingertips in everything. Tonight you told me, as you had so many times before, Of all the troublesome echoes That haunt you all the more for their insidious truths And lonely wrought arpeggios. And I, relieved, have relieved your happy eyes. Rest now, you'll have forever for your desperate sighs. And here we lay in our murderous embrace. Rest now, you'll have forever for your goodbyes. And here we lay in our murderous embrace. Rest now, you'll have forever for your goodbyes. In the eternal here, in the infernal this You'll have forever for your goodbyes. In the eternal here, in the infernal this We couldn't be more paperback gorgeous.
4.
I found God on a darkened street With two legs, two arms and a cigarette between the teeth, A confident twist at the corner of the lips, Oh, that terrible smile… We danced a ballet, screeching tyres And the smell of gasoline, that time was ours, A time to repent all the hours I’d spent Wandering the streets with the wind at my side. How are you so secure? Come dance with me If you think you can dance, I’ve been looking for some loveless romance To sweep my legs back to the forested paths That always seemed too far away. In the fauna I’ll find you so don’t escape, There are things in the wild, make one mistake And they will get you, would I lie to you? I’ve better things to do these days Than search the streets for anyone. Euphoria has drifted over me And I can still taste its bitter unity So please give your disease to me.
5.
Be sneaky, lady, be insecure, Be misguided and close-minded, elevating and austere. Appetites are rarely sated, there are deeper needs Stirring up your callous touch, So brace yourself and cover up your knees. Olivia, you are the last thing on my mind, So why are you hiding on your island, out among the gravestones? Where is all the dust of brotherly love now, Are you hiding on your island, wanting anything but to be alone? You will be a lavish mourner; Always the cruellest she alive. A leaver leaving prayers unsaid That could not be said. We'll need no modern calling, nor the desires of modern man, Let's keep ourselves hidden away from more meticulous minds. Don't strip for me, I'll strip for you, Don't mourn for me, I don't want you to. Madam, you have done me wrong.
6.
Entrails, weeping, falling, failing, Entrails, weeping, falling, failing, Sodden, silk, sudden, failing, Redux, flaking, They said people would stop jumping from buildings But where are we now? And a thousand ambassadors, And a thousand ambassadors, And they said people would stop jumping from buildings But where are we now?
7.
It were o'er dead Thames Them destructive came The stream seems so far down And she slips She grabs for concrete A hand comes flesh to flesh The hangman swing His skin gives off the stench Of the choice that festers in his head She hangs o'er dead Thames Insect crush the same And she says – “Don't let me down” Incite the silence Choice runs through dull head To pull her living Or to drop her dead He tears – fingers tremble lead. He waters under shame And pity drives the same And she sighs – don't let me down And now he is trapped in ever after So take the pain held within the parcel And go down, go down through the years
8.
Kiss me till I'm in a coma And hold me till my thoughts just wash away. Need some liquor, honey, From the bitter tap rusted 'tween your teeth. Cover my fearful ears And tell me over and over how much you love me And tidy my scattered hair, Whispering promises that in time you'll forever keep. The glass is cold with the storm outside But here within the horror lies And I'm elated, can't keep this sorrow in. So lay me down and keep me down, We're maudlin. Smother my face in hazy air That pours from your lungs to dizzying peaks, And wet my cheeks with love's sweet wine, So never leave this card unturned. Force my mouth open And force my fears as far as they can fly, Wane here with me as I wane Gently over hours and days, caged and adorned. Let the clock stop turning, we have no time, And cross my triumphs with histories lines. Out toast to us, misunderstood as we are, Contracts for contact reel in this Eyeless stare. How have I offended you so To have you pour your affection into my breast? What quiet malice Moves the malicious adoration in your hand? But kiss me, touch me gently, And wear at the memories I call my own With the leering gentile Of remorse that I cannot withstand.
9.
(instrumental.)
10.
(Instrumental hidden track from Romanticism.)

about

Our debut release: a collection of songs written between 2002-2005 documenting the band's shift from alt-rock to shoegaze.

credits

released June 13, 2007

Recorded and mixed between 2004-2007 at various locations, including:
Riverside Recording, The Red Room and home studios in Calgary and Vancouver


All songs recorded, produced, mixed and mastered by Adam Veenendaal with:
Jordan Knight - Mixing on track 10
Stuart Blackie and Justin Wong - Engineering & co-production on tracks 3/5/8/9/10

Tracks 1/2/9/10 written by Adam Veenendaal
Tracks 3 - 8 written by Adam Veenendaal
& Alexander Mark Kennard, lyrics by Kennard


All instruments and vocals by Adam Veenendaal except:
Alexander Mark Kennard - Rhythm Guitar on tracks 6/8; some backing vocals on tracks 4/5
Justin Wong - Synthesizer on tracks 3 & 9
Trevor Larson - Feedback and various noises on track 8
Bryce Wagner - Piano on track 10


Front and back photographs by Adam Veenendaal
Layout and design by Cort Carpenter and Ali Roddam
All music and photographs (c) 2005 - Veenendaal.



Thanks to A. M. Kennard, Bert Veenendaal, Janis Magnuson, Ray Sobol, Wayne Logan, Stuart Blackie, Justin Wong, Guy Docs, Ali Roddam, Cort Carpenter and Don McCollum for their support in realizing this album.

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The Ludvico Treatment Toronto, Ontario

Melody & noise from the unbridled Canadian wilderness.

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